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This article about Stephen Mooney's contemporary
needlepoint designs, was published in the March/April 2003 edition
of NeedlepointNow Magazine.
These designs have a common
motivation. I have always been intrigued by repeating patterns.
Whether wall paper, wall tiles, or the bathroom floor, I would sometimes
stare at the patterns or tiles with great concentration. Maybe it
was like looking at a mandala. A form of meditation. I would try
and create more complex designs out of the simple patterns present
by imagining connections among the parts.
One way to create complex designs is to use recursion. Recursion is
a method of extending a simple pattern by replacing some part of the
original pattern with the entire original pattern, but drawn on a
smaller scale. The new pattern made from this process still contains
the original pattern, so the operation can be repeated again and again,
each time yielding a more complex pattern.
One example of this is the picture in a picture. The picture is of
an artist's studio with the artist painting a picture on an easel.
The picture on the easel is the original picture. Another common example
of recursion is to stand between two mirrors held parallel to each
other. One sees in infinite number of reflections of oneself.
By its nature, recursion is infinite, and real pictures or designs
can only show the recursion up to some limited point. But usually
the mind's eye can look at the limited recursion and see the infinite
pattern. This makes a good way to meditate.
I chose needlepoint for these projects for many reasons. I wanted
to end up with pictures to hang on the wall to be viewed from across
the room. I wanted durable construction that was low maintenance.
I considered mosaic, but the amount of detail possible was low unless
a very large project was undertaken. Making a mosaic out of small
colored beads remains a possibility for future projects.
I was introduced to needlepoint by my mother, who had made many
beautiful designs based on M.C. Escher's work. I tried an easy project,
and found needlepoint very relaxing. The results looked good, even
though I was a beginner.
Each of these projects took a year. I would typically design a new
pattern during the holiday season. In February I would buy the yarn
and canvas. Doing the actual stiching lasted from March thru November.
I studied mathematics and computer programming, so part of the fun
I had was in constructing programs to create the designs, color them,
and render them as needle point patterns. These designs are based
on one of three different patterns: Pentominos, Fractals, or two forms
of the Penrose tiling.
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View Pentominoes |
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I was introduced to pentominoes
by Arthur C. Clarke's book "Imperial Earth". Pentominoes are like
dominoes, except five squares are used to make each piece. There are
twelve different shapes that can be made from five squares. A set
of these twelve shapes covers 12 times 5 or 60 squares in all. A puzzle
is to fit a set of the twelve shapes into 6 by 10, 5 by 12, 4 by 15,
or 3 by 10 frames. Such puzzles are actually commercially available.
I immediately saw these shapes as tiles for a bathroom floor, or
a large rug. To cover large areas
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you need to use many sets
of the twelve shapes. The easiest way is to fit them into the frames
mentioned above, then arrange these rectangular frames into fill the
area desired. However, if you do this, you immediately see the outlines
of the frames. I wanted a pattern that would not easily reveal boring
rectangles when I looked at it. I wanted to use an equal number of
each shape. I wanted each shape evenly spread out.
The answer ? Recursion. Fit the twelve pieces into twelve
frames each shaped like one of the pieces themselves. This project
is one of many designs I made on this theme. The colors chosen match
a couch in our living room.
I think this approach can be used best on large rugs. I hope one day
to hook a large rug based on an even more intricate pattern of pentominoes.
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To one interested in tilings as I am, the January
1977 issue of "Scientific American" was a bombshell. I still
have it ready at hand on my desk. Martin Gardner's column in this
issue described Roger Penrose's tiles. These are commonly called
"kites and darts" after their shapes. These tiles cover any area,
but there is no large scale symmetry. As the article points out,
there is a recursion rule that creates a larger (or smaller) tiling
out of any given design. However, the rule hides the original pattern,
so it is impossible to see the recursion rule just looking at the
design.
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View Kites and Darts
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I wanted an example of this to contemplate.
This design is the result. The coloring emphasizes small symmetrical
areas, as well as highlighting the non-symmetric connections between
them. One can pick out larger symmetries, and is left imagining how
these larger symmetries are connected.
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View Galaxy - Mandelbrot Set |
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The book "The Fractal Geometry of Nature" by Benoit
Mandelbrot introduced me to the beautiful patterns generated by
fractals. Fractals are made up of a simple pattern, and a resursion
rule to operate on the pattern. Strictly speaking, fractals are
infinitely complex and provide many opportunities to ponder the
mathematical subtleties of the infinite. However if you stop the
recursion at some point, and choose a clever way to assign different
colors to parts of the interrupted recursion, many beautiful designs
appear. These are popularly known as Fractals.
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Many computer programmers interested
in graphics have written a fractal design generator for themselves.
I spent months with mine, exploring the many depths of the "Mandelbrot
Set" (A particular type of fractal named after the author of the book.)
I found this pattern in the Mandelbrot Set at a magnification of about
4,000,000 near the location (0.43, 0.22). It looks like an image of
a far galaxy taken by a large telescope. You can see at least three
levels of recursion in the design. The larger galaxy has many smaller
satellite galaxies orbiting it. These smaller galaxies have their
own satellites, etc.
Other parts of the Mandelbrot Set have an entirely different apperance.
There are many beautiful designs here awaiting only time and effort.
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That bombshell article in Scientific American also
described a way to draw a design on the kites and darts, but did
not show what it would look like. I experimented with this for a
while, and was able to see the recursion rule in the resulting patterns.
I wanted to create as large a pattern as I could.
The recursion can be seen in this design, but it takes a lot of
concentration. It is easy to loose one thread while following it.
The very simple blue and gold coloring suggests to me a flag or
banner.
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View Penrose Curves 1
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View Penrose Curves 2
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This design is essentially the same as
the one above. The coloring scheme was chosen to emphasize the recursion.
The smaller patterns are grouped in several ways to form larger patterns.
These larger patterns are grouped in the same ways to form yet larger
and larger patterns. Each scale of grouping is surrounded by an outline
made of a single continuous curvey line. This grouping continues on
larger and larger scales without limit. Although symmetry can be found
within the groupings at each scale, there is no overall large scale symmetry. |
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Meditation discovers many relationships among the smaller parts of the design.
This design comes the closest yet to realizing my original goals
for designing complex needlepoint patterns to meditate on.
Stephen Mooney 2003
See also:
In the section 'Anatomy of a project', see and read about my recent
more elaborate designs based on Pentominoes
and Penrose tiling, completed
since this article was published.
See too my Downloads page.
Further info:
* Read this fascinating article about Escher's
work
* Visit the gallery in the official M.C.
Escher website
* Visit the Amazon website to read more about Arthur
C. Clarke's "Imperial Earth"
* Amazon also have Martin Gardner's "Penrose
Tiles to Trapdoor Ciphers"
* See Benoit B. Mandelbrot's own article about Fractals
- a geometry of nature
* Amazon have his book "The
Fractal Geometry of Nature"
* Visit the NeedlepointNow
website's magazine page
* Find how to order a backcopy
of the magazine featuring Stephen Mooney's article

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